If there was an Oscar precursor that was the most reliable, hands down it’s the Directors Guild Awards. Since 2000, they have only been wrong once when matching up Best Directing honors with the Academy Awards. Ang Lee who won for Crouching Tiger, Hidden Dragon lost the Oscar to Steven Soderbergh for Traffic. As a side note, Lee later won in 2005 for Brokeback Mountain. Once again, the director finds himself in the running for this year’s race. He’s one of the lucky five nominated by the Directors Guild of America.
Even though the DGAs are bang on when predicting the eventual Oscar winner, their nominations don’t always line up with the Academy’s. Usually, there is one director who gets snubbed. Last year, David Fincher was nominated for The Girl With The Dragon Tattoo, but Terence Malick was the one who received an Oscar nod for The Tree of Life. Same thing happened in 2010 when Christopher Nolan (Inception) was swapped out for Joel and Ethan Coen (True Grit). Given that there are so many directors in the running this year, I fully expect this tradition to continue. Find out all the nominees below.
A couple of days after Kathryn Bigelow’s film scored top honors from the New York Film Critics Circle, Zero Dark Thirty nabs another win. The National Board of Review bestows Best Film honors to the Osama bin Laden movie. Bigelow also won for Best Director. Is Zero Dark Thirty the film to beat at the upcoming Academy Awards? It’s certainly a contender, but keep this in mind. The last time the NBR picked the eventual Oscar Best Film winner was back in 2008 when Slumdog Millionaire danced its way to the podium.
Zero Dark Thirty also earned an award in one of the acting categories. Jessica Chastain who plays a CIA agent on the hunt for bin Laden won Best Actress. Bradley Cooper beat out Oscar frontrunner Daniel Day-Lewis (Lincoln) for Best Actor for his work in Silver Linings Playbook. On the supporting front, Leonardo DiCaprio and Ann Dowd were honored for Django Unchained and Compliance respectively.
Out of all the winners, the one I’m most ecstatic about is Tom Holland’s win in the Breakthrough Actor category. I literally just walked out of a screening for The Impossible and can’t say enough great things about Holland. He was EVERYTHING in that film. The trailers made it look like it was all about Ewan McGregor, but it wasn’t. The entire movie is an acting tour de force from Holland and Naomi Watts. Definitely check out this film. Be warned: bring lots of tissues. I cried at least ten times. Check out the rest of the winners below.
The New York Film Critics Circle revealed their winners today. They’re the first of the major critic awards to do so. Historically, they have a so-so record when it comes to correctly predicting Oscar winners. With that said, NYFCC’s annual list is very important because it could highlight an otherwise forgotten film or build momentum for a film’s chances at all the upcoming awards to follow.
Last year, this group correctly chose Meryl Streep (Best Actress), The Artist (Best Picture) and Michel Hazanavicius (Best Director). Will they fare better or worse this year. I’m sure Kathryn Bigelow and Steven Spielberg are hoping they’re bang on. Both director’s films nabbed multiple honors. Zero Dark Thirty and Lincoln both scored three wins each.
The most surprising nod for me was for Matthew McConaughey. The 43-year-old actor won Best Supporting Actor for his roles in Bernie and Magic Mike. This is the second time McConaughey has been honored for his work in the stripper flick. Last week, the Independent Spirit Awards gave him Best Actor and Best Supporting Actor nominations for Killer Joe and Magic Mike respectively. Will showing off his abs and butt finally earn Matthew an Oscar statue? He’s certainly generating some serious buzz with all these acknowledgements. Check out all the other winners below.
Apparently a contender for the Oscars this year, the teaser trailer for ‘Zero Dark Thirty‘ has just debuted – a film that tells the story of the manhunt for Osama Bin Laden. The movie was directed by Kathryn Bigelow and written by Mark Boal who together previously won Best Picture for ‘The Hurt Locker‘. This film tells the story of the hunt for Bin Laden that ended on May 2, 2011 when he was killed.
“This is an amazing story about the triumph of will, dedication, and duty,” Bigelow told EW. “[It’s] about the real life heroes in the intelligence community who worked behind the scenes day and night on what was perhaps the toughest assignment of their lives. As such, it’s a story that needs to be told respectfully.” This teaser trailer is pretty intense and definitely makes me interested in seeing the film.
The movie stars Kyle Chandler, Joel Edgerton, Jessica Chastain, Chris Pratt, Mark Strong, Mark Duplass, Frank Grillo and Jennifer Ehle. Check out the trailer below. The film comes out on December 19.
LITERALLY, the best title I could come up with at 3am… on a Friday… after an 1181/fountain filled evening. To be fair- let’s pretend I have it in me- the movie was good. It wasn’t great, but it wasn’t completely bad either. Was it “Best Picture” worthy? Oh Hellllll to the no. The funniest thing about that award this year (aside from the mormon-esque family of 10 nominees idiocy), is the ex vs. ex battle going on between James Cameron and Kathryn Bigelow over the Best Pic title. How the HELL did these movies make it to the top? I realize La-La land is essentially a circle jerk of nepotism with “benjamins” as condoms and tears of the “little people” as lube when it comes to awards and the like, but come on “academy”, get it together. “Hurt Locker” literally had me HOPING the protagonist (ugh, if you could call him that) would die already so the movie would end faster, and “Avatar” was just plain pandering.
My favourite revelation of the night was how to appeal to the cheetos-lovin’ mid-western fams with a blockbuster: be pro troops or be pro religion… these two movies did just that. While “Hurt Locker” decided to go SO viciously “hate the war, love the soldier” that I nearly puked (seriously Bigelow, you think the throngs of 17 year-old soldiers in the Middle East are THAT patient with shooting “suspect locals waving a cell phone, 100 feet from a bomb”? Bitch, Please!), “Avatar” on the other hand went all “God” on our ass. Our alien-lovin’ director opted to paint the war-hungry Americans (cause, let’s face it, those soldiers had zero accent and were 95% white) as frenetic monsters who can’t get enough “savage blood”… well, that is of course for the one female foreigner: “You’re not the only one with a gun, bitch!” (best line of the movie ps.) So, in lieu of bein’ pro-Bush, the flick went all God and religious on our ass: Oh, America… you’re everything most off with the world, but I love your boys, and about 9 of your cities hehe.
All that aside, there were definitely some big issues I had with this movie. And, I decided to you Homorazzi to rant about it ;) Really, why can’t directors just send me a copy of their movie before they hit the print button? Here are my top 5 problems with this “Best Picture” (hopeful).
“Avatar”, “Precious” Based on the Novel ‘Push’ by Sapphire”, “Up in the Air”, “Inglourious Basterds” and “The Hurt Locker”. If you were a betting man, those would be the ones to wager on. If you’ve been following my “2010 Oscar Watch”, you’ve heard me ramble about Oscar precursors, yada, yada, yada. But out of all the them, the awards that have the best track record for picking the Academy Awards, hands down are the DGA Awards. Since most of the members of the Directors Guild of America also represent a majority of those who vote for “Best Director” at the ceremony, the DGA is the strongest litmus test for forecasting.
Typically the DGA, has received flack for nominating white men for their annual awards. With this year’s honorees, the 5 represent the most diversified selection ever. Not only is an African American nominated (Lee Daniels), but a woman is also in the mix (Kathryn Bigelow) along with Quentin Tarntino, Jason Reitman and the AVATAR genius, James Cameron.
Daniels nomination is the first for an African American. While Bigelow is only one of a handful ever singled out. Her predecessors include Lina Wermuller “Seven Beauties”, Jame Campion “The Piano”, Barbra Streisand “The Prince of Tides”, and Sofia Coppola “Lost in Translation”.